Song
SONG
A song, most broadly, is a single (and often standalone)
work of music that is typically intended to be sung by the human voice with
distinct and fixed pitches and patterns using sound and silence and a variety
of forms that often include the repetition of sections. Written words created
specifically for music or for which music is specifically created, are called
lyrics. If a pre-existing poem is set to composed music in classical music it
is an art song. Songs that are sung on repeated pitches without distinct
contours and patterns that rise and fall are called chants. Songs in a simple
style that are learned informally are often referred to as folk songs. Songs
that are composed for professional singers who sell their recordings or live
shows to the mass market are called popular songs. These songs, which have
broad appeal, are often composed by professional songwriters, composers and
lyricists. Art songs are composed by trained classical composers for concert or
recital performances. Songs are performed live and recorded on audio or video
(or in some, cases, a song may be performed live and simultaneously recorded).
Songs may also appear in plays, musical theatre, stage shows of any form, and
within operas.
A song may be for a solo singer, a lead singer supported by
background singers, a duet, trio, or larger ensemble involving more voices
singing in harmony, although the term is generally not used for large classical
music vocal forms including opera and oratorio, which use terms such as aria
and recitative instead.[1] Songs with more than one voice to a part singing in
polyphony or harmony are considered choral works. Songs can be broadly divided
into many different forms, depending on the criteria used.
Songs may be written for one or more singers to sing without
instrumental accompaniment or they may be written for performance with
instrumental accompaniment. The accompaniment used for a song depends on the
genre of music and, in classical styles, the instructions of the composer as
set out in the musical score. Songs may be accompanied by a single accompanist
playing piano or guitar, by a small ensemble (e.g., a jazz quartet, a basso
continuo group (in the case of Baroque music), a rock or pop band or a rhythm
section) or even a big band (for a jazz song) or orchestra (for a classical
aria). One division is between "art songs", "pop songs" and
traditional music which includes "folk songs" and early blues songs.
Other common methods of classification are by purpose (sacred vs secular), by
style (dance, ballad, Lied, etc.), or by time of origin (Renaissance,
Contemporary, etc.). Songs may be learned and passed on "by ear" (as
in traditional folk songs); from a recording or lead sheet (in jazz and pop) or
from detailed music notation (in classical music). While the term
"song" usually refers to a sung melody, the term is also used in some
instrumental music in which the composer wishes the performer to play in a
singing style (e.g., Mendelssohn's Songs Without Words for solo piano.)
Types
1.
Art songs
Art songs are songs created for performance by classical
artists, usually with piano accompaniment, although they can be sung solo. Art
songs require strong vocal technique, understanding of language, diction and
poetry for interpretation. Though such singers may also perform popular or folk
songs on their programs, these characteristics and the use of poetry are what
distinguish art songs from popular songs. Art songs are a tradition from most
European countries, and now other countries with classical music traditions.
German-speaking communities use the term art song ("Kunstlied") to
distinguish so-called "serious" compositions from folk song
("Volkslied"). The lyrics are often written by a poet or lyricist and
the music separately by a composer. Art songs may be more formally complicated
than popular or folk songs, though many early Lieder by the likes of Franz
Schubert are in simple strophic form. The accompaniment of European art songs
is considered as an important part of the composition. Some art songs are so
revered that they take on characteristics of national identification.
Art songs emerge from the tradition of singing romantic love
songs, often to an ideal or imaginary person and from religious songs. The
troubadours and bards of Europe began the documented tradition of romantic
songs, continued by the Elizabethan lutenists. Some of the earliest art songs
are found in the music of Henry Purcell. The tradition of the romance, a love song
with a flowing accompaniment, often in triple meter, entered opera in the 19th
century, and spread from there throughout Europe. It spread into popular music
and became one of the underpinnings of popular songs. While a romance generally
has a simple accompaniment, art songs tend to have complicated, sophisticated
accompaniments that underpin, embellish, illustrate or provide contrast to the
voice. Sometimes the accompaniment performer has the melody, while the voice
sings a more dramatic part.
2.
Folk songs
Folk songs are songs of often anonymous origin (or are
public domain) that are transmitted orally. They are frequently a major aspect
of national or cultural identity. Art songs often approach the status of folk
songs when people forget who the author was. Folk songs are also frequently
transmitted non-orally (that is, as sheet music), especially in the modern era.
Folk songs exist in almost every culture. Popular songs may eventually become
folk songs by the same process of detachment from its source. Folk songs are
more-or-less in the public domain by definition, though there are many folk
song entertainers who publish and record copyrighted original material. This
tradition led also to the singer-songwriter style of performing, where an
artist has written confessional poetry or personal statements and sings them
set to music, most often with guitar accompaniment.
There are many genres of popular songs, including torch
songs, ballads, novelty songs, anthems, rock, blues and soul songs, and other
commercial genres, such as rapping. Folk songs include ballads, lullabyes,
plaints, love songs, mourning songs, dance songs, work songs, ritual songs and
many more.
GENERIC
STRUCTURE OF SONGS
1.
Objectives
DESCRIPTION: Understanding the social function and language features
of songs to learn the words, feelings and rhymes in songs, according to the
contexts. The objective of the lesson: students are able to understand the
words, feelings and rhymes of songs.
LESSON
2.
Key Points
We like listening to music in our free time. We can learn
English from English songs. In this lesson, we learn words, feelings and rhymes
in songs.
Here are some points to learn:
a.
Words in songs.
What does “a certain word” mean?
Songs are similar to poems. There are beautiful words in
songs and poems. Some of the words are new for us. To help us understand the
songs, we need to know the meanings of the difficult words. Looking up the
dictionary will certainly help us know the meanings of the words and enrich our
vocabulary.
b.
Synonyms and antonyms.
Singing and reading the lyrics of songs will help up enrich
vocabulary by trying to find the synonym and antonym of the difficult words. We
have to check the words in the dictionary and make notes.
c.
Rhymes of the songs.
Learning the rhymes of the songs will help us learning how
to pronounce the words. Pronunciation is an important aspect to learn when we
learn a language. If we miss pronounce words, other will not understand what we
are saying.
d.
The feelings of the singer.
Songs and the lyrics show how the singers feel. Songs can
suggest happiness, sadness, ignorance, care, hopes, love, friendship, and
others.
e.
How to understand a
complete song.
Read the lyrics of this song:
I Believe I Can Fly
I used to think that I could not go on
And life was nothing but an awful song
But now I know the meaning of true love
I’m leaning on the everlasting arms
If I can see it, then I can do it
If I just believe it, there’s nothing to it
I believe I can fly
I believe I can touch the sky
I think about it every night and day
Spread my wings and fly away
I believe I can soar
I see me running through that open door
I believe I can fly
I believe I can fly
I believe I can fly
See I was on the verge of breaking down
Sometimes silence can seem so loud
There are miracles in life I must achieve
But first I know it starts inside of me
Sung by R.Kelly, taken from www.metrolyrics.com
From the
song, we can learn:
• Meanings of words.
We can find some words that we don’t understand by looking
up a dictionary.
For example:
Soar : in the dictionary, we find the meaning: to fly,
especially very high up in the sky, floating in air currents.
• Same rhymes.
For example:
Fly /flaI/ - sky /skaI/
Down /daun/ - loud /laud/
• Synonyms
Find the synonyms or the similar meanings to help us enrich
our vocabulary.
For example:
Awful - terrible
Silence - quietness
• Antonyms
Find the antonyms to help us enrich our vocabulary.
For example:
Open - closed
True - false
• The feeling of the singer
If we read the complete lyrics, we will see the singer’s
feeling.
The first line of the first verse, the singer used to feel
that he could not go on. But, the third line of the same verse, the singer now
understands true love. He believes he can do what he wants to do as long as he
believes it.
The singer is grateful that now he is optimist in living his
life.
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